Ladysmith Black Mambazo has been a familiar voice since the late eighties. Their sound has come to represent the new South Africa, and they are in many ways responsible for the mainstreaming of world music. Vusi Mahlasela, another South African musician and poet, continues in the tradition of Ladysmith, working with popular artists as well as pursuing his own unique sound.
How was the show on Sunday?
Way back when ... in 1986 ... I had the good fortune of seeing the Graceland tour at the Spectrum. It was, hands down, the most riveting, entertaining, mind-opening, lively concert I've ever attended. Legends such as Hugh Masekela and Miriam Makeba performed along with this line of tunic-clad, high-kicking men called Ladysmith Black Mambazo.
I already knew the Graceland album by heart, but seeing it performed live was something altogether different. It honestly changed my life forever. And had as big an influence on how I listen to music as any experience I've ever had.
I spent years after voraciously seeking out African music. My favorite collection was called "Urban Africa: Jive Hits from the Townships" and featured Lucky Dube, Mahlathini & Mahotella Queens and Yvonne Chaka Chaka to name a few.
Sunday's show was wonderful. "Homeless" brought on spontaneous misty-eyes ... and it was wonderful to hear so many people in the audience responding to the Zulu language! Thanks to the Kimmel Center for bringing South Africa and all its magical sounds to Philadelphia.